![]() In Montevideo, the staff of the Biblioteca Nacional shared my interest in the writings of Julio Herrera y Reissig and were helpful in every way possible. Sergio Provenzano of Buenos Aires allowed me to consult materials in their extraordinary collection in Buenos Aires. Among my colleagues at these seminars, Alicia Andreu stands out as a supportive friend and critic.įor the research on literary journalism, the family of Dr. The intellectual climate of these seminars fostered lively debate and feedback for my work, especially the chapters on Herrera y Reissig, López Velarde, and Vallejo. A turning point in the book's development was my opportunity to work with Roberto González Echevarría in two National Endowment for the Humanities Seminars at Yale University. During that stage, and throughout the book's later phases, I am grateful to Sylvia Molloy, who has always been a thoughtful and generous reader. My studies on modernismo began at Princeton University. ![]() The writing of this book owes much to the advice and support of countless friends and colleagues. Malinee Holmes Kirkpatrick Acknowledgments The Dissonant Legacy of Modernismo: Lugones, Herrera y Reissig, and the Voices of Modern Spanish American Poetry. Berkeley: University of California Press, c1989 1989.
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